|
|||||
|
This is an essay that was originally composed for Electronic Music History (MUSC 246), written shortly after my previous post about John Cousins, which fed into the essay. The task was to critically assess an aspect of ‘electroacoustic’ music of demonstrable significance to the development of the art-form in Australasia. It was probably evident from [...] The first concert of the 10th of October was the final electroacoustic composition concert for at least some of the third-year Sonics Arts students completing their degrees. Six long surround sound acousmatic works along with one audiovisual work made up the concert in the Adam Concert Room, some making more of an impression than others. [...] Q. How do you think you would react if your music suddenly became wildly popular? Daniel De La Cuesta: Fachwerk Pia Palme is a musician and composer from Vienna, one of a group dedicated to creating and playing music for the “sub-bass” recorder. This instrument, developed by Kueng in 2007, has a beautiful rich tone, particularly in its lower registers and is capable of a [...] Douglas Lilburn: Landfall in Unknown Seas If this concert proved nothing else it was that the time has come to stop giving Douglas Lilburn [...] |
|||||
|
Copyright © 2010 Allegro Largo Scherzo Finale - All Rights Reserved |
|||||